In a Santa Monica workshop established by Knoll in 1989, Frank Gehry began experimenting with a new approach to material and structure. Three years later, Gehry's groundbreaking collection of laminated maple chairs and tables was previewed at The Museum of Modern Art in New York. Inspired by the woven construction of apple crates he had played on as a child, Gehry began to weave thin strips of wood into lightweight fluid forms. The ribbon-like designs transcend the conventions of style by focusing on the essential challenge of integrating material and structure.
Japanese